ptabCome To The Dance Paul Lolax Traditional Paul LolaxCraig Rogers {Tellurian}craigrogers706@hotmail.com Here we have a song that is about as good as you can get for playing in open-G tuning. The notes can keep ringing all they want since the melody basically outlines the chords being played. There is some need to plan out fingerings ahead of time, specifically in measure seven. The high G must be played with the second finger to allow an easy transition to the necessary fifth-fret barre on the second beat. If some of the triplets and ornamental figures give you trouble, either practice, practice, practice, or just leave them out. It's always more important to keep the flow going. Instead of the triplet in the seventh measure mentioned above, you could play G and F# without much loss in the character of the piece. Although they are not indicated, slurs can be used. If you are technically competent to play this song, you can figure out where you would like to use them. P.L.CGuitarNylon String Acoustic Guitarh@Standard>;72+& CFloatingTextSee Performance Notes8$Times New RomanDGDGBD8eTimes New Roman CGuitarIn CTempoMarker| CSectionSymbol     CSection2 $ CStaff$9 CPosition CLineData@   !B B @ % @  EG% E @  `` d `e` CMusicBar`ASection\ \2 $9B ! B@ d` @      !BB@  @' %   bb  ` d`\\2  $0 !@#  ! !   !   !   ``  !``!`\ \2 `BSection*0#D !#!! !  % G % '!  ( ''% G ``  e``e\ \2 U*0%'      @ (  ' % @   !  ``  `e``\\2o 3'0%  '@( (I   !    !   `  !`!`\ \Untitled!h@Bass+&!2 } ArialTimes New RomanTimes New Roman